What Horizon: Tragedies, Time Loops, and the Hopefulness of Les Amis
I have directed a staged reading of the play and will have video clips to show! My play is focused on the rebellion and Les Amis; it aims to give the barricades the attention they often lack in adaptation and develop the individual characters of the insurgents. I’m working to make this episode of the Hugo novel and its historical context accessible to audience members who may not be familiar with the source material, while hopefully also bringing something new to the story for longtime fans.
One aspect of the story I’m particularly interested in examining is the persistent sense of hope associated with the barricades, despite the insurgents’ eventual defeat and the previous failure of the July Revolution. Linking the seemingly cyclical process of revolution and restoration, the metatheatrical tradition of tragedies aware of their own repetition in performance before the audience, and the nature of Les Misérables itself as a story that has been told and retold countless times, I hope to show the audience the worth of the insurgents’ struggle and the importance of their continued efforts. Many adaptations construe the rebellion as futile or as solely a tragic story, so I would like my adaptation to counter that idea, as Les Amis grapple with the meaning of their sacrifice and the impacts of their actions.
In a presentation, I would discuss these ideas with reference to Hugo’s original text and the ways in which the rebellion has been changed in adaptation, as well as other works that inspired me (namely Hadestown and Rosencrantz & Guildenstern Are Dead). I’d discuss the choices I made in my adaptation process and show clips from the staged reading, touching on the different characters and the historical setting as well as the overarching themes with which I engaged.
This event will be recorded and will available following the con for two weeks from when it is first uploaded.
Speaker
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Percy